A LONG GOODBYE- HACKNEY EMPIRE ARTIST DEVELOPMENT PROGRAMME 2024
Set and Costume Designer: Anna Kezia Williams. Assisted by Hannah Schlenker and Sherna Simpson-Thomas, and the ADP Design team.
Director: Yasmin Choudury
Production Shots: Fabrice Bourgelle
Set and Costume Designer: Anna Kezia Williams. Assisted by Hannah Schlenker and Sherna Simpson-Thomas, and the ADP Design team.
Director: Yasmin Choudury
Production Shots: Fabrice Bourgelle
PURGATORIO- WCA THEATRE, JUNE 2023
Set and Costume Design: Anna Kezia Williams
Lead Artist: Natasha Harrison
Lighting Design: Alex Forey
Set Build: Fred Nobre
Production Photos: Dani Riot
PARADISO-WCA THEATRE, JUNE 2023
Set and Costume Design: Anna Kezia Williams
Lead Artist: Shane Dempsey
Lighting Design: Alex Forey
Set Build: Fred Nobre
Production Photos: Dani Riot
SUPERNOVA- NATIONAL TOUR, 2022
Set and Costume Design: Anna Kezia Williams
Lighting Design: Rajiv Pattani
Sound Design: Lex Kosanke
Director: Fay Lomas
Production Photos: Nick Rutter
THE GIRL WHO WAS VERY GOOD AT LYING- OMNIBUS, NOVEMBER 2021
Set and Costume Design: Anna Kezia Williams
Lighting Design: Amy Hill
Director: Fay Lomas
Production Photos: Eleanor Grice
★★★★★ The Stage
★★★★★ Theatre Weekly
★★★★☆ Broadway World
Set and Costume Design: Anna Kezia Williams
Lighting Design: Amy Hill
Director: Fay Lomas
Production Photos: Eleanor Grice
★★★★★ The Stage
★★★★★ Theatre Weekly
★★★★☆ Broadway World
LIKE NOWHERE ELSE- BBC IPLAYER, 2020
Set Design and Scale Model Making: Anna Kezia Williams
Puppet Maker: Emma Jeans
Puppetier: Sheep Films
Director: Yousef
Set Design and Scale Model Making: Anna Kezia Williams
Puppet Maker: Emma Jeans
Puppetier: Sheep Films
Director: Yousef
TRIPTYCH: BURIED, GRACELAND, NUCLEAR WAR- THE OLD RED LION MARCH 2020
Set and Costume Design: Anna Kezia Williams
Director(s): Alex Knott, Max Saunders-Singer
Writers: David Spencer, Max Saunders-Singer, Simon Stephens
Production Photos: Charles Flint Photography
OFFIE NOMINATION: Best Production.
"...these three different plays form one perfect whole, and that makes this triptych not just a work of art, but a modern masterpiece that could define the future of fringe theatre." ★★★★★ Greg Stewart, Theatre Weekly.
Set and Costume Design: Anna Kezia Williams
Director(s): Alex Knott, Max Saunders-Singer
Writers: David Spencer, Max Saunders-Singer, Simon Stephens
Production Photos: Charles Flint Photography
OFFIE NOMINATION: Best Production.
"...these three different plays form one perfect whole, and that makes this triptych not just a work of art, but a modern masterpiece that could define the future of fringe theatre." ★★★★★ Greg Stewart, Theatre Weekly.
STICKY DOOR- THE CAGE, VAULT FESTIVAL, FEBRUARY 2020
Set and Costume Design: Anna Kezia Williams
Director: Ellen Havard
Written and Performed by: Katie Arnstein
Production Photos: Lidia Crisafulli
"...a sparse but effective set with pared back lighting..." Grace Wood, The Stage.
"...quirky yet naturalistic set..." Niamh Flynn, Upper Circle.
Set and Costume Design: Anna Kezia Williams
Director: Ellen Havard
Written and Performed by: Katie Arnstein
Production Photos: Lidia Crisafulli
"...a sparse but effective set with pared back lighting..." Grace Wood, The Stage.
"...quirky yet naturalistic set..." Niamh Flynn, Upper Circle.
THE DELIGHTS OF DOGS AND THE PROBLEMS OF PEOPLE and LULLABIES FOR THE LOST- THE OLD RED LION THEATRE, JANUARY 2020
Set and Costume Design: Anna Kezia Williams
Directors: Zoe J Forda and Caroline Devlin
Written by: Rosalind Blessed
Lighting Design: Mark Dymock
Production Photos: Adam Trigg
"Anna Kezia Williams’ stark set speaks to the isolation on stage, as do the performers’ neutral clothes and the faceless toy cradled by childless Nerys..." The Stage
"...an effective clinical white set (Anna Kezia Williams) on which white boxes are scattered and used for furniture eight characters are in search of an escape from their various issues... A heavenly waiting room?" The Spy in the Stalls
Set and Costume Design: Anna Kezia Williams
Directors: Zoe J Forda and Caroline Devlin
Written by: Rosalind Blessed
Lighting Design: Mark Dymock
Production Photos: Adam Trigg
"Anna Kezia Williams’ stark set speaks to the isolation on stage, as do the performers’ neutral clothes and the faceless toy cradled by childless Nerys..." The Stage
"...an effective clinical white set (Anna Kezia Williams) on which white boxes are scattered and used for furniture eight characters are in search of an escape from their various issues... A heavenly waiting room?" The Spy in the Stalls
HUNGER-ARCOLA THEATRE, DECEMBER 2019
Director: Fay Lomas
Set and Costume Design: Anna Kezia Williams
Lighting Design: Rajiv Pattani
Sound Design: Lex Kosanke
Production Photos: Alex Brenner
★★★★☆ The Guardian.
"...cracks in the floor of Anna Kezia William's set flare up with light. I really like these cracks. They visualise the feeling of walking around and feeling, knowing that your world isn't stable." Emily Davis, Exeunt Magazine.
"I love the cracked flooring, lighting up at times of major stress..." Tim Winter, London Box Office.
"The atmosphere created by Anna Kezia Williams design, Rajiv Pattani’s lighting and Lex Kosanke’s sound is engrossing." Karl O'Doherty, Reviews Hub.
Director: Fay Lomas
Set and Costume Design: Anna Kezia Williams
Lighting Design: Rajiv Pattani
Sound Design: Lex Kosanke
Production Photos: Alex Brenner
★★★★☆ The Guardian.
"...cracks in the floor of Anna Kezia William's set flare up with light. I really like these cracks. They visualise the feeling of walking around and feeling, knowing that your world isn't stable." Emily Davis, Exeunt Magazine.
"I love the cracked flooring, lighting up at times of major stress..." Tim Winter, London Box Office.
"The atmosphere created by Anna Kezia Williams design, Rajiv Pattani’s lighting and Lex Kosanke’s sound is engrossing." Karl O'Doherty, Reviews Hub.
THE HAPPY PRINCE- THE PLACE, MAY 2019- later shown online in collaboration with ROH Mumbai, SEPTEMBER 2020.
Director: Hal Cazalet
Set and Costume Design: Anna Kezia Williams
Lighting Design: David Howe
Projection Artist: Ben Bull
Production Photos: David Jensen
THE CRUCIBLE- ROYAL AND DERNGATE, JULY 2018
Director: Fay Lomas
Set and Costume Design: Anna Kezia Williams
Lighting Design: Johnny Blunsdon
Production Photos: Graeme Braidwood
‘The set design...absorbs us into the whole piece’ A Small Mind At The Theatre
‘Dark, gloomy, blackened upright stakes formed a suggestive and sinister backdrop to the underground space... on to the threatening, spikes fence chalked names begin to appear.’ Roderic Dunnett, Behind The Arras.
STUD- VAULT FESTIVAL,NETWORK THEATRE February 2018
Writer and Director: Paloma Oakenfold
Set and Costume Design: Anna Kezia Williams
Lighting Design: Rajiv Pattani
Production Photographs: Bernadette Baska
"love the modernisation of the stage." Hannah Goslin, Get The Chance.
FLYCATCHER-THE HOPE THEATRE, NOVEMBER 2017
Writer and Director: Gregg Masuak
Set Design: Anna Kezia Williams
Costume Design: Jill Davidson
Production Photographs: Peter Taylor
"From the moment you walk into the theatre, you are instantly captivated by the staging." Anamaria Rose, London Pub Theatres.
JELLY-THE COCKPIT THEATRE, AUGUST 2017
Writer and Director: Eugenie Abbott
Set Design: Anna Kezia Williams
Production Photographs: Jordan Stephens
"...a strong visual world of an uncaring dystopian society; a minimal set with a lone barrel of drugs centre stage left, no illusions as to what their society revolves around." James jack Bentham, Theatre Full Stop.
CONCEPTUAL DESIGN FOR HAROUN AND THE SEA OF STORIES July 2017
Set and Costume Designs: Anna Kezia Williams
Writer: Salman Rushdie
Adapted Script by: Anna Kezia Williams
Shown at: WCA Degree Show 2017
GREAT EXPECTATIONS- MERTON ARTS SPACE December 2016
Set and Costume Designers: Anna Kezia Williams and Ziyue Gong
Director: Louise Hill (Attic Theatre Co.)
Production Photos: Jack Ladenburg
"Anna Kezia Williams and Ziyue Gong (both students from Wimbledon College of Art) have cleverly embraced the bookish theme." Heather Neill, The Stage.
"Simple, but highly effective design" Peter Brown, ActDrop.
Set and Costume Designers: Anna Kezia Williams and Ziyue Gong
Director: Louise Hill (Attic Theatre Co.)
Production Photos: Jack Ladenburg
"Anna Kezia Williams and Ziyue Gong (both students from Wimbledon College of Art) have cleverly embraced the bookish theme." Heather Neill, The Stage.
"Simple, but highly effective design" Peter Brown, ActDrop.
A CHRISTMAS CAROL- TOURING December 2016
Costume Designer: Anna Kezia Williams
Set Designer: Rhys Jarman
Director: Iqbal Khan
Production photographs: staff at Samuel Ward Academy
Costume Designer: Anna Kezia Williams
Set Designer: Rhys Jarman
Director: Iqbal Khan
Production photographs: staff at Samuel Ward Academy
THE BUSKERS OPERA- PARK THEATRE May-June 2016
Designer: Anna Kezia Williams
Director: Lotte Wakeham
Production Photographs: Simon Annand
"...the overall style of the show is incredibly effective. I’m a huge fan of The Park Theatre performance space, and Anna Kezia Williams puts it to good and imaginative use in her inventive set design, creating a simple yet powerful backdrop from which to tell the story...great use of space and clever design..." Annie-Thing Goes, YourTwoPence
Designer: Anna Kezia Williams
Director: Lotte Wakeham
Production Photographs: Simon Annand
"...the overall style of the show is incredibly effective. I’m a huge fan of The Park Theatre performance space, and Anna Kezia Williams puts it to good and imaginative use in her inventive set design, creating a simple yet powerful backdrop from which to tell the story...great use of space and clever design..." Annie-Thing Goes, YourTwoPence
DESIGN CONCEPT COLLABORATION FOR THE BLOODY CHAMBER AT SHOREDITCH TOWN HALL- INCLUDING COSTUME.
Set Designers: Anna Kezia Williams and Sally Somerville-Woodiwis
Costume: made by Sally Somerville Woodiwis, photographed by Anna Kezia Williams
Set Designers: Anna Kezia Williams and Sally Somerville-Woodiwis
Costume: made by Sally Somerville Woodiwis, photographed by Anna Kezia Williams
CONCEPTUAL DESIGN FOR SHAKESPEARE'S THE WINTER'S TALE
Set and Costume Designer: Anna Kezia Williams
BLOOD WEDDING- BREAD AND ROSES THEATRE- 2015
Set Designer: Anna Kezia Williams
Director- Fay Lomas
Production Photographs: Cari Addy
"...perfectly designed to capture the compelling intimacy of a short, 3 Act play, like Blood Wedding." Amadeus Redha, Tremr.
Set Designer: Anna Kezia Williams
Director- Fay Lomas
Production Photographs: Cari Addy
"...perfectly designed to capture the compelling intimacy of a short, 3 Act play, like Blood Wedding." Amadeus Redha, Tremr.
COSTUME DESIGN CONCEPT FOR CALDERON'S LIFE'S A DREAM, 2015.
DESIGN CONCEPT FOR BECKETT'S ENDGAME- 2015
Set and Costume Designer: Anna Kezia Williams
Set and Costume Designer: Anna Kezia Williams
CHALET LINES- THE BRIDEWELL THEATRE- 2014
Set and Costume Designer: Anna Kezia Williams
Director: Sara Reimers
Production Photographs: David Sprecher
Set and Costume Designer: Anna Kezia Williams
Director: Sara Reimers
Production Photographs: David Sprecher
SONS OF PARADISE-BRIDEWELL THEATRE-2014
Set Designer: Anna Kezia Williams
Director: Lily Ann Green
Production Photographs: Ruth Anthony
Set Designer: Anna Kezia Williams
Director: Lily Ann Green
Production Photographs: Ruth Anthony
NIGHTHAWKS CONCEPT DESIGN-2013
Set Designer: Anna Kezia Williams
Inspired by Nighthawks painting and Automat painting by Edward Hopper
Set Designer: Anna Kezia Williams
Inspired by Nighthawks painting and Automat painting by Edward Hopper
PROPOSED DESIGN FOR VIRGINS DIE HORNY AT THE COURTYARD THEATRE- 2014
5M X 5M SCALE MODEL EXERCISE- 2014
INSPECTOR DRAKE'S LAST CASE- GORING VILLAGE HALL- 2013
Set Designer: Anna Kezia Williams
Director: Barrie Steele
Set Designer: Anna Kezia Williams
Director: Barrie Steele